sexta-feira, 10 de fevereiro de 2017

Caderno de resumos - SBCM 2015

Caderno de resumos do SBCM 2015

\documentclass[10pt, a5paper, oneside]{book}
\usepackage{wasysym} % Music symbols, baby!
\usepackage{enumitem}
\setlist[itemize,1]{label={\eighthnote}}
\usepackage[utf8x]{inputenc}
\usepackage[brazil]{babel}
\usepackage{cite}
\usepackage{textcomp} %para o greater than
\usepackage{float}
\usepackage{placeins}
\usepackage{enumerate}
\usepackage{xspace}
\usepackage{colortbl}
\usepackage{hyperref}
\usepackage{pdfpages} %Para importar PDFs
\usepackage{afterpage} % Para pular página
\usepackage[absolute,overlay]{textpos} %posicao absoluta (usado na contracapa)
\usepackage{tocloft} % Pontinhos no Sumário
\renewcommand{\cftsecleader}{\cftdotfill{\cftdotsep}}


% Fancy Chapter
%Options: Sonny, Lenny, Glenn, Conny, Rejne, Bjarne, Bjornstrup
\usepackage[Sonny]{fncychap}
\usepackage{titlesec}

\let\oldchapter\chapter
\renewcommand{\chapter}[1]{
\oldchapter*{#1}
\addcontentsline{toc}{section}{\protect #1}
}

% Para controlar margens e etc:
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\topmargin -0.8in
\oddsidemargin -0.40in
\evensidemargin -0.40in

\begin{document}
\pagenumbering{gobble}% Remove page numbers (and reset to 1)
% ------------------------------------------------------------------------------
% Capa

\include{Capa}

% ------------------------------------------------------------------------------
% Prologo
\include{prologue}

% Sumário
\tableofcontents

% ------------------------------------------------------------------------------
% Conteúdo
\pagenumbering{arabic}% Arabic page numbers (and reset to 1)

% Resumos
\part{Technical Papers and Posters}

\chapter{Copista - Sistema de OMR para a recuperação de acervo histórico musical}
Autor:
\begin{itemize}
   \item Avner Paulo (Universidade de São João del Rei)
   \item Flávio Schiavoni (Federal University of São João Del Rei)
   \item Marcos Laia (Universidade de São Paulo)
   \item Daniel Madeira (Universidade de São João del Rei)
\end{itemize}

The Optical Music Recognition (OMR) is a Computer Science field aplied to Music and has opening problems to recognize handwriten scores. This paper presents a project called ``Copista'' that is investigating techniques to develop a software to recognize handwriten scores.


% ------------------------------------------------------------------------------
%   CONTRA CAPA
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\thispagestyle{empty}

\clearpage
% ------------------------------------------------------------------------------
\include{ContraCapa}
\end{document}

Anais do V Ubimus

Proceedings do V Ubimus - 2014

Template latex utilizado para gerar o proceedings do V Ubimus.



\documentclass[11pt, a4paper]{book}

\usepackage[utf8x]{inputenc}
\usepackage[brazil]{babel}

\usepackage{cite}
\usepackage{textcomp} %para o greater than
\usepackage{float}
\usepackage{placeins}

\usepackage{enumerate}
\usepackage{xspace}
\usepackage{colortbl}
\usepackage{hyperref}

\usepackage{pdfpages} %Para importar PDFs

\usepackage{afterpage} % Para pular página
\usepackage[dvipsnames]{xcolor}    % Para cor de fundo na página
\usepackage{color}
\usepackage{tikz} % para desenhar o retangulo lateral na capa
\usepackage{lipsum}  % Para testes
\usepackage[absolute,overlay]{textpos}

\usepackage{tocloft} % Pontinhos no Sumário


% Cabecalho com nome da secao
\usepackage{fancyhdr}

\fancyhf{}
\fancyhead[LE,RO]{\fancyplain{}{V Ubimus - 2014} }
\fancyhead[LO,RE]{\fancyplain{}{From Digital Arts to Ubiquitous Music} }
\fancyfoot[LE,RO]{\fancyplain{}{Vitória - ES - Brazil} }
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%\fancyhead[LO,RE]{\textit{\nouppercase{\leftmark}} }

\renewcommand{\chaptermark}[1]{\markboth{\thechapter.\space#1}{}} 

% --- My Include command
\newcommand{\includepaper}[2]{
\includepdf[pages={1},scale=1,pagecommand={\addcontentsline{toc}{chapter}{#1}}]{#2}
\includepdf[pages={2-},scale=1,pagecommand={}]{#2}
}

\newcommand{\includepaperOP}[2]{ % One page paper
\includepdf[pages={1},scale=1,pagecommand={\addcontentsline{toc}{chapter}{#1}}]{#2}
}


% Para controlar margens e etc:
\textwidth 6.5in
\textheight 10.2in
\topmargin -0.8in
\oddsidemargin -0.20in
\evensidemargin -0.20in

\usepackage{titlesec}

%\titleformat{\chapter}[display]
%  {\normalfont\huge\bfseries}{}{0pt}{\Huge}
%\titlespacing*{\chapter}
%  {0pt}{10pt}{40pt}

\begin{document}
\pagenumbering{gobble}% Remove page numbers (and reset to 1)

% ------------------------------------------------------------------------------
%   CAPA
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\thispagestyle{empty}
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\definecolor{Marrom}{HTML}{2c2c28}

\pagecolor{Roxo}

% Quadrado Esquerdo
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\vspace*{\fill}

\begin{center}
\begin{minipage}{.6\textwidth}
{\color{white}
\vspace{3.7cm}

\begin{flushleft}
\large{\textbf{Anais do V Workshop de Música Ubíqua}}
\linebreak
\large{Proceedings of V Workshop on Ubiquitous Music}
\linebreak
\end{flushleft}
\centerline{\includegraphics[width=1\columnwidth]{logo-PT-small_1_2_0_0}}
\Huge{2014 - Vitória - ES - Brazil}
\vspace{2cm}
\begin{flushright}
\normalsize{
Das Artes Digitais à Música Ubíqua

From Digital Arts to Ubiquitous Music
}
\end{flushright}

\vspace{8cm}

\normalsize{
29 de Outubro a 1 de Novembro

October 29th - November 1st
}

}
\end{minipage}
\end{center}
\vfill % equivalent to \vspace{\fill}
\afterpage{\nopagecolor}
\clearpage

% ------------------------------------------------------------------------------
% Folha de rosto
\includepdf[pages={-},scale=1]{Rosto}

% ------------------------------------------------------------------------------
% Prologo
\include{prologue}
\renewcommand{\cftchapleader}{\cftdotfill{\cftdotsep}} % for chapters
\tableofcontents
\clearpage
% ------------------------------------------------------------------------------

\pagenumbering{arabic}% Arabic page numbers (and reset to 1)
\pagestyle{fancy}


\includepaper{Música ubiqua e paisagens sonoras. Possíveis contribuições}{1.pdf}
\includepaper{Exploring the potential of mobile technology for creating music collaboratively}{2.pdf}
\includepaperOP{DroneUnknown: An experiment in embracing unpredictability in live electronic performance}{3.pdf}
\includepaper{Suporte para a Criatividade Musical Cotidiana: Mixdroid Segunda Geração}{4.pdf}
\includepaper{Making meaningful musical experiences accessible using the iPad}{5.pdf}
\includepaperOP{Música Ubíqua no Colégio de Aplicação da UFRGS e Centro de Tecnologia Acadêmica e Ciência Cidadã Jr: transversalidades em pesquisa em ensino}{6.pdf}
\includepaper{The Beathealth Project: Synchronising Movement and Music}{7.pdf}
\includepaper{Characterizing Resources in Ubimus Research: Volatility and Rivalry}{8.pdf}
\includepaper{Prototyping of Ubiquitous Music Ecosystems}{10.pdf}
\includepaper{Ubiquitous Computing meets Ubiquitous Music}{11.pdf}
\includepaperOP{Progressive Disclosure}{12.pdf}
\includepaper{Computação Ubíqua e a interação corporal na aprendizagem de execução rítmica}{13.pdf}
\includepaperOP{Balance: um estudo sobre a tradução digital do corpo em equilíbrio}{14.pdf}


% ------------------------------------------------------------------------------
%   CONTRA CAPA
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\thispagestyle{empty}
\pagecolor{Roxo}
\newpage
\vspace*{\fill}

% Quadrado Esquerdo
\begin{textblock}{20}(14,0)
\tikz \fill [Marrom] (0,0) rectangle (5,40);
\end{textblock}

{\color{white}
\centerline{\includegraphics[width=0.3\columnwidth]{logo-PT-small_1_2_0_0}}
\vspace{1cm}
2014 - Vitória - ES - Brazil
}

\clearpage
% ------------------------------------------------------------------------------

\end{document}